Extra Curricular: Art and Cultural Theory reading group at Spike Island, Bristol

October 2012
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The Politics of (Self) Care – a symposium on disability justice, Migros Museum, Zurich
honey, milk and salt in a seashell before sunrise – TULCA 2023 curated by Iarlaith Ní Fheorais
Aliens are temporary – a mutating tale at Kunstraum Kreuzberg Bethanien
Wellcome funding for itDF: Imagining technology for Disability Futures
Thinking Like an Octopus, or: Tentacular Grasp, Wilhelm Hack Museum, Ludwigshafen
Through the Narrow Gap of the here-and-now, Irish Museum of Modern Art, Dublin
Voicing the Silence, curated by TOK Curators for apexart, Moscow
The Touching Contract by Sarah Browne and Jesse Jones acquired by Irish Museum of Modern Art
The Law is a White Dog, curated by Sarah Browne: TULCA book, podcasts and documentation
Taking Matters into our own Hands: curated screening with Jenny Richards at Mint, ABF Huset, Stockholm
Elliptical Affinities at Highlanes Gallery, Drogheda
Forum on Form at The Peacock, curated by DRAFF
Bergen Assembly: Actually, the Dead are Not Dead
The Hands at Work #2: curated screening with Jenny Richards at Mint, ABF Huset, Stockholm
The Hand at Work #1: curated screening with Jenny Richards at Mint, ABF Huset, Stockholm
To train the whole body as a tongue: curated touring programme with aemi
Disassemblies 9: Guts / Gusts (Gestations) at Kunsthal Gent
The Elegance of the Octopus: Tom Jeffreys reviews Strange Foreign Bodies
Gastromancy: curated screening programme with aemi at Project Arts Centre, Dublin
iaspis residency, Stockholm
TOUCH at nGbK, Berlin
Strange Foreign Bodies at the Hunterian Art Gallery, Glasgow
The L Shape: screening event with Nina Conti
The L Shape at the Dock, Carrick on Shannon
Hold Me Now – Feel and Touch in an Unreal World, Generale Rietveld Academie
Against Ordinary Language at Tate Exchange, Liverpool
Box with the Sound of Its Own Making, Salonul de Proiecte, Bucharest
BREAKDOWN at Marabouparken, Stockholm
In/human: The Body as Resource at Kelvin Hall, Glasgow
It's Very New School: exhibition at Rua Red
Report to an Academy: solo exhibition at Marabouparken, Stockholm
Commission awarded for In Context 4, South Dublin
Residency awarded at UCD College of Social Sciences and Law
Artist and the State conference at the Irish Museum of Modern Art
The Touching Contract reviewed in The Guardian
The Touching Contract featured in the Visual Artists Newsheet
@pparchive published in feminists@law, online feminist legal studies journal
The Truncheon and the Speculum at the Liverpool Biennial
@pparchive at Feminism, Legality and Knowledge seminar, QMUL
Soft Structures – Textile Turns at CIAP, Hasselt
@pparchive at Hospitable Bodies symposium, the British Library, London
The Speaking Hand at Skånes konstförening
Report to an Academy / Sticky Encounter: discussion with Saoirse Wall at The Showroom
Manual Labours at The Showroom, London
Of Milk and Marble performance in Derry
@pparchive at Ulster Festival of Art and Design
Bodies Politic symposium at Maynooth University
Time Release symposium at Dutch Art Institute
Transcript of Fugitive Papers Slow Visibility
All Men Become Sisters at Muzeum Sztuki ms2
@pparchive at Idle Women, Lancashire
@pparchive at The Hunt Museum, Limerick
Our Neighbourhood project with CCA at LIAF 2015
From a Poem to a Sunset: extended at Daimler Contemporary, Berlin
Book Launch at CCA Derry~Londonderry
Still, We Work at Callan Workhouse Union, Co. Kilkenny
@pparchive at Callan Workhouse Union
@pparchive at Console-ing Passions, International Conference on Television, Film, Audio, New Media and Feminism
Launch of Burn in Flames: Post-Patriarchal Archive in Circulation
CCA Derry~Londonderry Studio Hato Book Design Workshop
CCA Derry~Londonderry workshops with Clyde Doyle and Matt Green
CCA Derry~Londonderry workshop with Jessica Foley
Kvinder Frem (Women Forward!) at the Museum of Contemporary Art, Roskilde
Still, We Work – national tour begins at Regional cultural Centre, Letterkenny
Screening at Staatsgalerie, Stuttgart
From a Poem to a Sunset at Daimler Contemporary, Berlin
The Revolting Body – screening at Movement, Worcester, UK
The Voice Emerges – research event with the Northern / Irish Feminist Judging Project
Stitch in Time at the Lewis Glucksman Gallery, Cork
CCA Derry~Londonderry workshop with Steve Batts
University of Ulster Art and Design Festival, Belfast
Press for The Pattern Exchange at Temple Bar Gallery, Dublin
CCA Derry~Londonderry screening: The Turin Horse
Screening event at Temple Bar Gallery & Studios, Dublin
CCA Derry~Londonderry workshop with Aislinn O'Donnell and Sarah Browne
Invisible Violence at Salzburger Kunstverein
CCA Derry~Londonderry, The Gates of Heaven
The Pattern Exchange at Temple Bar Gallery
CCA Derry~Londonderry workshop with Laura Durán
Manual Labours commission for 2015
Kennedy Browne interview with Studio International
Manual Labours launch at the Showroom, London
CCA Derry~Londonderry Taskafa - Stories of the Street
Kennedy Browne at Lunch Bytes event, Irish Museum of Modern Art
The Form that Accommodates the Mess: public program at IMA Brisbane
Hand to Mouth at the Institute of Modern Art, Brisbane
The Invisible Limb at basis, Frankfurt
Invisible Violence at Artium, Vitoria
New commission with Jesse Jones for Create, Ireland and Artangel, UK
CCA Derry~Londonderry collaborative residency
Something from nothing screening at the Irish Film Institute
Material Thinking: public programme at CCA Derry-Londonderry
Lecture at the Weltkulturen Museum, Frankfurt
Invisible Violence at Museum of Contemporary Art, Belgrade
Kennedy Browne film dinner at Fennelly's, Callan, Co. Kilkenny
Kennedy Browne at the Crawford Gallery, Cork
Hand to Mouth at CCA Derry-Londonderry & IMA Brisbane
Filming in the Shetland Islands
Still, We Work at Cork City Hall
Kennedy Browne at Wilfried Lentz Gallery, Rotterdam

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October 21st at Spike Island, Bristol, UK

This reading group offers an opportunity to discover and debate current trends in art and cultural theory. Each month an artist or writer is invited to propose a text that has informed his or her work and to lead an informal discussion around the themes and questions it poses.

For the October session Irish artist Sarah Browne introduces an extract from Thinking, Fast and Slow (2011) by Daniel Kahneman, winner of a Nobel Prize for Economics. The book compares instinctive emotional responses with slower logic-based deliberations, and Browne uses this as a starting point for extrapolating these two tendencies into the field of art production.

Sarah Browne, How to Use Fool’s Gold (Pyrite Radio), 2012. Photo: Scott Massey.

Related Work
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